Graffiti recording a great freeze on the lagoon.
The quiet Rio dei Santi Apostoli was a busy shipping channel within the city. Boats from Istria, and from islands such as Torcello and Mazzorbo passed here. The very name of these arcades, (Sortopotego della Traghetto) comes from the fact that the waterway was uses by the traghetto (ferry) to Murano. Previously the space was not divided up by grills as it is today . The entire arcade was used by passengers, who waited here for boats to various places.
Among the graffiti scratched on the columns is one that records the "great freeze" of the lagoon that had such a spectacular effects. It reads:
Eterna memoria dell'anno 1864 / Del giaccio veduto in Venezia / Che se sta sule Fondamenta Nove / a San Cristofo andava la gente / In procision che formava un liston / Vicenzo Bianchi / A 1864.
Thus, in the winter of 1864, people could walk across the ice as far as the island of San Michele .
What is a Liston?
The word used in the graffiti is a Venetian term for a sort of paved avenue through the centre of a large public square along which people promenaded at certain times of the day. Fore il listo thus means "to take a stroll', given that it was more comfortable to walk on paving stones rather than the bare earth and grass that covered most of the Venetian campi. (Therm campo actually means field).
This is the campo San Pietro and is one of few campi left in the city. You can see that originally they were all fields.
The Frozen Lagoon
Over the centuries the harsh winters of 1789, 1864, 1929 and 2012 have remained famous. In the first three the ice was so thick that it could take the weight of sledges!
Here is my photo of the Grand Canal frozen in 2012. Not thick enough to walk on, but definitely frozen.
Good Luck Anchors.
On the wall at the corner of the building at the corner of Sortopotego della Traghetto are two small anchors referred to as le ancorate . Venetians often tap them against the wall when they pass. To give good luck.
The White Stone in Campo San Pietro.
On the route that leads to the church an observant person will notice the white stone amongst the other paving stones. It's position is far from accidental, for it marks the exact spot where, on his way to San Pietro, the doge used to be met by the Patriarch of Venice. Up until 1807, the church of San Pietro was, in fact, the city's cathedral, with Saint Mark's being the doge's private chapel. The placing of this stone created a meeting place which meant that the doge did not have to walk unreceived right up to the threshold of the church, nor did the patriarch have to go to meet him as he disembarked from his boat. The honour of both temporal and secular power was thus maintained.
Napoleon's decision to make Saint Mark's the city's cathedral was largely a symbolic one. It meant that, before being received in the basilica himself, a substantial part of the symbolism of the ancient Republic and it's doge's was removed.













































